| 摘要: |
| 将借景置于陈从周先生“造园有
法而无式”的论述背景下，考察了关于借景的
“法”与“式”的含义，及其在造园文献及实
例中的表象，并比较了中国园林与日本园林的
不同情形。可以发现，中国园林的借景可称之
为“有法无式”，而日本园林则发展出借景园
林这一类型以及样式化的造园手法。 |
| 关键词: 中国园林 日本园林 借景 法 式 |
| DOI：10.13791/j.cnki.hsfwest.20170204 |
| 分类号: |
| 基金项目:国家自然科学基金青年基金项目
（51508392）和上海市浦江人才计划资助项
目（15PJC096） |
|
| Fa and Shi in Borrowed Scenery |
|
ZHOU Hongjun
|
| Abstract: |
| Under the background of Chen Congzhou’s theory that there is rule but no model
in gardening, this paper studies the meaning of Fa and Shi in Borrowed Scenery, analyzes the
appearance in garden’s literature and existing cases, and also compares the different situation
in Chinese and Japanese gardens. It’s found that there is no model but only rules about
Borrowed Scenery in Chinese garden, and Japanese garden developed the type of garden of
Borrowed Scenery and relevant design skills. |
| Key words: Chinese Classical Garden Japanese Classical Garden Borrowed Scenery Fa Shi |
