| 摘要: |
| 藤本壮介作品借助其语汇“未来、
暧昧，多种可能”发起所谓日常诗学式的革
命，其著作《建筑诞生的时刻》直接将“局
部与局部的关联/原始的场所感”作为建筑
新策略发展机制的改革宣言，以“巢穴”寓
意“居住的多义”。以破译其作品与自我理论
解读之间的关联作为研究目的，通过研究其
作品图表式的表达，解译“图像—实体”的
关联，得出藤本壮介的作品是具有图解生
成的契机，依次从图像叙事的方式、图像过
程的诗意两方面阐述其作品图案中所拆解
的复杂空间与叙事潜能，分层剖析其“未完
成状态”的本质。最后进行总结，得出这种
图解设计思维是基于复杂的社会形态、文化
变异、差序格局与同构嵌套并存的时空关联
等糅合所得的结果，以及总结其语汇与实践
的价值意义，启于原始，落实现在，兼容未
来。研究方法为文献研究与调查研究。 |
| 关键词: 藤本壮介 图像 叙事 图解 复
杂 诗意 |
| DOI：10.13791/j.cnki.hsfwest.20160211 |
| 分类号: |
| 基金项目: |
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| Diagram Heresies—Analysis of Image Narrative Strategy of Sou Fujimoto’s Design Thought |
|
LUO Zhaoyang
|
| Abstract: |
| With his vocabulary “future”, “ambiguous” and “inclusive”, Sou Fujimoto tries
to start a kind of style revolution about daily poetic. His book, The Birth Of Architecture,
directly regards the association between portions and the sense of original space as the
declaration on the reform of develop mechanisms about architecture. He uses “nest” as the
metaphor of “the ambiguity of living”. The paper focuses on the purpose of deciphering
the association between his interpretations of the theory and the designs, by studying the
graphical expression of his work, explaining related the channel from image to entities,
obtaining the possibility of diagram analysis on Sou Fujimoto’s work, and stratified
analyzes its “unfinished state” nature from the pattern of narrative image and the poetic
process in dismantling the complex space and the narrative potential. Finally, the paper
summarizes the consequence that the diagram design is read from the complex social
patterns, cultural variation, differential mode of association and so on, besides the value of
its significance and practice vocabulary. The concept inspired by the original commands
the architecture are being used now as well as in the future. The methods of this study are
research and investigation. |
| Key words: Sou Fujimoto Image Narration Illustrations Complexity Poetry |
