| 摘要: |
| 20世纪90年代，彼瑞兹·克罗米娜
发表《秘境与奇观：阿道夫·路斯的室内》
一文, 探讨了路斯住宅建筑中的视线控制和
随之产生的心理暗示。笔者对该文进行了批
判性回顾，并在此基础上重新分析路斯住宅
空间中的视线设计，探讨了它与剧院空间的
相似之处。通过比较分析一系列路斯设计
的住宅空间，揭示出他基于空间私密性的不
同要求而逐层设计住宅室内的策略: 空间的
开放程度随着私密性需求的增加而减弱。与
此同时，通过对路斯相关建筑文本的解读，
进一步分析了其住宅设计的立场。 |
| 关键词: 路斯 住宅 私密性 戏院空间 |
| DOI：10.13791/j.cnki.hsfwest.20140410 |
| 分类号: |
| 基金项目: |
|
| The Openness and Intimacy of Interiors of Adolf Loos |
|
XIONG Xiangnan
|
| Abstract: |
| In the 1990s,Beatriz Colomina,in her noted article "Intimacy and Spectacle:
the Interiors of Adolf Loos," discussed the sight line control and its resulting psychological
implications in the interiors designed by Adolf Loos. Along with a critical review of this
article, this essay offers a new analysis of Loos’s sight line design and how it resembles theater
space.By examining a series of the residential space designed by Loos,I will argue that Loos
developed a diverse strategy in responding to the different needs for intimacy in a home:
the spatial accessibility and openness diminishes with the increasing needs for privacy.A
close reading of the relevant essays by Loos included in this essay will also help illustrate his
architectural position. |
| Key words: Loos Houses Intimacy Theater Space |
