| 摘要: |
| 意境是中国山水画创作和鉴赏
的基本概念，本文从心理学角度对意境
概念进行再整理，尝试提出空间认知的
意境方法论，并运用意境概念对山水画
中的空间认知方式进行研究。研究方法
是以中国古典时期到现代的山水画为调
查对象（选取样本母体1608幅），抽样出
其中包含竹子的山水画142幅进行空间配
置、数量、形态等分析，通过总结其共通
特征，梳理出山水画画家在表现竹子时
相应的倾向和爱好，并根据心理感知过
程的原理还原该空间表现对应的原初空
间（实境），得以明确画家对竹子这种植
物于环境中的认知方式，以期为风景园
林规划中的空间设计提供参考和思路。 |
| 关键词: 意境 山水画 空间认知 竹 |
| DOI： |
| 分类号: |
| 基金项目:* 中央高校基本科研业务费专项资金资助
项目（106112012CDJZR 190004） |
|
| A Study on the Spatial Cognition of Chinese Landscape Painting by Employing Artistic Conception— Taking the Landscape Paintings of Bamboo for Example |
|
GU Guangcan
|
| Abstract: |
| ArtisticConceptionisregardedasabasicconceptincreationandappreciation
of Chinese landscape paintings. This paper illustrates the artistic conception in the
perspective of psychology, and tries to propose the artistic conception methodology
of spatial cognition. And it studies the spatial cognition in the landscape paintings by
employing the artistic conception. It takes the Chinese paintings from classical age to
moderntimesastheresearchsubjects.Thetotalnumberofsampleis1608,amongwhich
142 pieces of landscape paintings including bamboo are studied. Those paintings are
analyzed in terms of spatial arrangement, quantity and morphology. By summarizing
theircommonfeatures,elaboratingtheartists’preferenceforthebamboointhelandscape
paintings and restoring the original space according the principles of psychological
process,itaimstodefinetheartists’cognitivestyletowardsbamboo.It’sexpectedthat
thispaperwillprovidereferencesforspacedesigninthelandscapearchitecture. |
| Key words: Artistic Conception Landscape Painting Spatial Cognition Bamboo |
