| 摘要: |
| 本雅明是后现代研究无法忽视的重要思想家，其在意识形态和文化等方面的研究富于洞见地预言了后现代的文化转向——文化被大众媒介操控并不断地粉饰自身去追求商业利润和政治意蕴。本文在扼要回顾本雅明的人生历程之后介绍了其技术主义理论的经典作品——《机械复制时代的艺术作品》，指出本书旨在讨论技术革新将给艺术发展带来的巨大影响，甚至是受众感知方式的转变。从无法复制的隐秘性到机械复制的大众性，这个过程不仅带来了艺术品传播方式的转变，更使其内涵和本真性分崩离析。 |
| 关键词: 本雅明，机械复制时代，艺术 |
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| From Mechanical Reproduction to the Multitude Carnival:Explanations of Walter Benjamin's The Art Work of the Machine Replication |
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余琪
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| Abstract: |
| Walter Benjamin is a significant ideologist in Post-Modern research that can not to be neglected.His study on the ideological and cultural aspects had deep insight into the predictions of the post-modern cultural turn---Culture is managed by the mass media, and it continues to gloss over itself to pursue business profits and political intentions.The article first briefly reviews the history of Benjamin's life, and then introduces his magnum opus--The Art Work of the Machine Replication, which is the embodiment of technocracy. This book points out technological innovation would bring about great influence on de-velopment of the arts and even change the audience perceptual approach.From the occult caused by irreproducibility fo the popularity caused by me-chanical reproducibility, this process results in the conversion of transmission mode, and leads to the disintegration of artwork's comtents and the authenticity. |
| Key words: Walter Benjamin, the Age of Machine Replication, Arts |
