| 摘要: |
| 《诗经》是我国诗歌史上举足轻重的存在，《国风》正是《诗经》的精华。在《国风》诗中，大量的诗歌涉及到了自然景观，而对于《诗经》的研究大多集中在文史哲领域，立足于风景园林学的相关研究较为匮乏，作为描写风景的最早诗篇尚未被研究颇为遗憾。因此将其作为研究重点，首先对《国风》中的自然景观要素进行提取、分类，分析其特点，得出其层次性和分时性的展现规律，以此为基础总结出先民既存型、演化型和类比型三种审美模式，即中国人原生情感中，自然景观的感知方式和审美模式的溯源。寻找中国人对自然景观情感的原始表达，以及遗传意义，以期为现今的风景遗产保护与景观设计提供参考与启示。 |
| 关键词: 《诗经》 国风 人居环境 自然景观 审美模式 |
| DOI： |
| 分类号:TU986 |
| 基金项目:巴渝传统场镇景观价值识别及活态保护研究(编号51978094),国家自然科学基金项目（面上项目，重点项目，重大项目） |
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| A Chant Three Sighs, from Scene to Artistic Conception —Study on the Characteristics of Natural Landscape Showing and the Aesthetic Pattern of Ancestors in GuoFeng of The Book of Songs |
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Gu Guangcan,Wang Liyao
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| Abstract: |
| The Book of Songs is a pivotal existence in the history of Chinese poetry, and Guofeng is the essence of The Book of Songs. In the poetry of Guofeng, a lot of poetry involves natural landscape, while the studies of The Book of Songs are mostly in the field of literature, history and philosophy, and the studies based on landscape architecture is relatively scarce, as the earliest description of landscape poetry has not yet been studied, it is a pity. So make it as a research focus, first of all, extracted and classified the elements of the natural landscape in GuoFeng ,then analysed their characteristics, it is concluded that the display rules are hierarchy and time-sharing, on this basis, summed up three aesthetic pattern of the ancestors, they are pre-existing pattern, evolutionary pattern, analogical pattern, namely the perception of natural landscape and the aesthetic pattern in the Chinese native emotion. To find the original expression of Chinese emotion towards natural landscape and its genetic significance, so as to provide reference and inspiration for today's landscape heritage protection and landscape design. |
| Key words: The Book of Songs Guo Feng Human Settlements Natural Landscape Aesthetic Pattern |
