| 摘要: |
| 中文语境中的“乡土”常常被误解
为二元概念中的一极，与“城市”、“现代”或
“西方”相对。本文以一个实际的设计案例
说明，在新建筑的功能迥异于传统生活方式
的前提下，当代的中国“乡土”难以是表里如
一的，也不大可能是某种静态风格的图解。
当代的中国“乡土”建筑不仅要适应本地条
件如特定景观特征，它还要重新创造出一种
系统性的本地特征，也就是它广义上的“基
地”和自身的创作情境，从而也造就了一种
新的景观。 |
| 关键词: 乡土建筑 江南“风格” “景观建
筑” 拼贴 情境 |
| DOI：10.13791/j.cnki.hsfwest.20140302 |
| 分类号: |
| 基金项目: |
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| Vernacular Architecture and “Jiangnan Style”—Exemplified by the Design of Haining Branch in Chinese Silk Museum |
|
TANG Keyang
|
| Abstract: |
| Vernacular architecture in the Chinese context is often misunderstood as a binary?
notion as against the “urban,” the “modern,”or the“western.”The case study discusses on the?
general discrepancy between the “inside”and“outside”of vernacular architecture, or between?
its new program and assigned traditional fa?ade.It argues that in contemporary China,a?
collaged“vernacular?architecture”is inevitable,making the static“style”out of question.The?
contemporary vernacular architecture will need“build the site,”reconfiguring the general?
context of space-making from scratch.By systematically creating new local characteristics,?
architecture does not adapt itself to landscape settings but invent a landscape of its own. |
| Key words: Vernacular Architecture “Jiangnan Style” Landscape Architecture Collage Context |
