| 摘要: |
| 本雅明研究资本主义现代性一书《巴黎，
19世纪的首都》通过对文化幻象的分析揭示了资
本主义生产过程的变迁，提出了现代性的“恶之
花”——即是现代生活导致人们体验方式的转
变。本文论述了《巴黎，19世纪的首都》的主要学
术思想，并结合书中抒情诗人的诗歌立场引出对
建筑师面对现代性体验的三种立场（迎合，批判
性的介入，抵抗）的进一步分析。 |
| 关键词: 本雅明，现代性，巴黎 |
| DOI： |
| 分类号: |
| 基金项目: |
|
| The Experience of Architecture Modernity in Paris, the capital of 19th century |
|
LI Shanshan
|
| Abstract: |
| The book written by Walter Benjamin
—Pa r i s, the ca pital of 19th ce nt u r y doe s a
research on cultural illusion of capitalist, and
discloses the process of capitalist production.
W hat is more, it shows up the “evil f lower”
of moder n life, which is changing the way of
people’s life experience. This paper discusses
the main academic thought in the book, and
combining three standpoints of the lyric poets, it
analyzes the corresponding attitude of architect
to the experience of modernity: catering for the
commercial community, critical intervention and
standing against. |
| Key words: Walter Benjamin, Modernity, Paris |
