| 摘要: |
| 在现代西方景观设计师们为古代东方顺应自然进行规划的魅力所赞叹不已时。我们当前的许多城市建设却在一味地步西方原来那种几何式，面向街道安排住宅的后尘。（事实证明这种规划方法以人类的生活环境产生了恶劣的影响）在设计中不断调整人与环境的关系，以求得人与自然达到真正的协调已成为现代景观设计人员的一项迫切的任务。然而在中国很早就出现了相关的思想，并在山水画这一艺术形式上得以体现。不同于英国水彩画起源于地形画，中国山水画的目的并非记载地形而是“澄怀观道”。山水画超脱于一般意义上的技艺，成为一种哲学的化身。这对现代景观设计无疑是一种启示。 |
| 关键词: 景观设计，山水画，自然，道，性格，审美，哲学，情感，环境 |
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| Abstract: |
| While modern western Land-scape Architects are entranced dy the planning accord with nature, which prevailing in ancient or iental countries, yet many of our native de-signers show the great inter-est in following the geomet-ric European style and put dwelling face the streets,which has been proven as a bad idea to ecosystem. Make the harmonious relationship between human and environment have become an urgent task for modern Landscape Archi-tect. yet in ancient China,such idea has already existed in the form of Landscape painting. Unlike the utili-tarian function,the pur-pose of Chinese Landscape Painting is not to record the geography but to show a Kind of mysterious ancient philos-ophy.Stand out of ordinary craft, the traditional Chi-nese Landscape Painting be-come a represrntative of Dal-ism, which show some inspira-tion to modern Landscape Ar-chitecture. |
| Key words: Landscape Ar-chitecture traditional Chi-nese Landscape Painting na-ture Daoism straits aes-thetic philosophy emotion environment |
